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安年设计 | 雕 · 塑

室内 2023-08-18 236 2

雕·塑

SCULPTURE

—

空白的纸面

沙沙声唱和欢愉

烟雾升腾了焦虑

当空的月色召唤的光明

李健的歌声聚拢了思绪

友人的前途

值得全力以赴去解谜

每一个路口都有人生的丰碑

印证了活着的意义

一篇篇碑文

就是雕塑

矗立了时光

成为了奇迹

Blank paper

The rustling sounds of joy

The smoke raised anxiety

The moon in the sky beckons light

Li Jian's singing gathered my thoughts

The future of friends

It's worth going all out to solve the puzzle

Every intersection has a monument of life

Proves what it means to be alive

One by one

It's a sculpture.

Stand in time

Become a miracle

｜前言 INTRODUCTIONG

解构是建筑师的母语

我们时代的大型建筑都是以框架作为基本的解构形式

可以是钢框架

也可以是钢筋混凝土框架

对于建筑来说

框架的结构就像动物的骨骼一样重要

建筑创造了人类主要的室内空间

就像建筑一样

空间也是充满对称、节奏和均衡

他必须能够包含和支撑功能完全不同和处于位置不同的空间器官

满足功能和习俗的不同

Deconstruction is the mother tongue of architects,The large architecture of our time is based on the frame as the basic deconstruction form,Can be steel frame,It can also be a reinforced concrete frame,For architecture,The structure of the frame is just as important as the bones of the animal,The building creates the main interior space for humans,It's like a building,Space is also full of symmetry, rhythm and balance.He must be able to contain and support spatial organs with completely different functions and in different locations.Meet the differences of function and custom.

在原有的水平框架空间内

置入不同的功能空间

根据经营逻辑把他们有机的结合起来

In the original horizontal frame space

Put into different functional Spaces

Combine them organically according to business logic

PART ONE

DEVICE ｜装置

不同的功能空间

有着不同的皮肤

这些皮肤有着不同要表达的气质与内容

细化下去

每一个小型装置或功能

视觉角度来讲

在大皮肤内再给予他一个新的皮肤

这是个视觉喜欢的过程

当然

不能单独去考虑功能或者材质

Different functional Spaces

With different skin

These skins have different qualities and contents to express

Refine down

Every small device or function

Visually speaking

Give him a new skin inside the big skin

It's a visually pleasing process

Of course

You can't think about function or material alone

，时长00:12

等待区的氛围设定是悠闲

所有人的生活节奏太快

怎么让客人在等待的时间不要焦虑与松弛

漆面中性的颜色与木色的温润都可释怀

The atmosphere of the waiting area is set leisurely

Everyone lives too fast

How to let the guests in the waiting time do not worry and relax

The neutral color of the paint and the warmth of the wood can be relieved

PART TWO

PERCEPTION｜感知

冷峻的火山岩

气质内带着冷静

斑驳感的灰泥

重塑漆面时间沉淀

地灯才会那么温暖

Cold volcanic rock

There is calmness in the temperament

The mottled stucco

Refinish time precipitation

The floor light is so warm

节点承载着整体与局部的链接，其表现形式可以是一种纯构造性的组合方式。也可以是结构层面上的构件，或者干脆就是一个较大的建筑元素如楼梯和桥梁等。

Nodes carry the links between the whole and the local, and their expression can be a purely constructive combination. It can also be a structural component, or simply a larger architectural element such as stairs and Bridges.

整体与局部血肉相连，这里在感知（perception）与制作（production）、构造（the construction）与构思（the construing）都是水乳交融的亲密关系。

the whole is connected with the local flesh and blood, and here perception and production, the construction and the construing are intimate relationships that blend in each other.

PART THREE

OVERCAST｜阴翳

阴翳之美总能令人深思与沉静

当我们凝视光线消失的空间角落

尽管知道这黑暗并不深遂

但是还是忍不住感觉有一些万籁无声的氛围

觉得这些阴翳被寂静恒久的笼罩

一切都那么简洁

这种美感不是通过先进的机器能够实现的

The beauty of the shadow can always make people think and calm

As we gaze into the corners of space where light disappears

Though I know the darkness is not deep

But I can't help but feel that there's something completely silent about it

I feel that these shadows are covered by a constant silence

It's all so simple

This kind of beauty cannot be achieved by advanced machines

顶面弱化原有机电管路

地面简化视觉冲击

中间剩下了围合功能的墙体

在平面规划时斟酌考量

让这些围合之初就埋下伏笔

让他们除了最初的功能与形象

剩余能量也能制造场所精神

The top surface weakens the original electromechanical pipeline

The ground simplifies visual impact

There is a wall left in the middle that encloses the function

Consider it when planning the floor plan

Let these enclosures be foreshadowed from the beginning

Let them in addition to the original function and image

Surplus energy can also create the spirit of place

材料选择从来不是理性选择和计算的结果，而是直觉与欲望的产物。结构必须与材料的要求一致，让材料呈现在光线的沐浴之中，表现材料的固有色彩。但是，如果没有结构，任何材料的质地都无法真正呈现。

Material selection is never the result of rational choice and calculation, but the product of intuition and desire. The structure must be consistent with the requirements of the material, so that the material is presented in the bath of light, and the inherent color of the material is expressed. However, without structure, the texture of any material cannot really be presented.

LAST WORDS｜结束语

本案两个叙事表达，一是甲方委托时诉求，打造一个体验感与市场上有差异化的美业空间；二是借此机会表达一个关于水平板式空间重新打造聚落形式与动线的空间。

空间机能与形式的内外对应关系，空间的本质与展现构筑形式的设计思维，对他们的平衡与控制是对本案的探索与实践，设置了一些圆形空间把她置入其中，一些类似于柱式阵列增加神秘与仪式，一些有意为之的内凹空间来显示关于“凿”的概念等等，都是为了营造出一种充满纪念性氛围的静谧空间特质，在光线的呈现下，触动每一个体验空间的心灵。

There are two narrative expressions in this case. One is the demand of Party A when entrusted, to create a beauty industry space with a sense of experience that is different from the market; The second is to take this opportunity to express a space about the horizontal slab space to recreate the form and movement line of the settlement.

The internal and external correspondence between the function of space and the form, the nature of space and the design thinking that shows the form of construction, the balance and control of them are the exploration and practice of this case. Some circular Spaces are set up to put her into them, some are similar to the column array to add mystery and ritual, some are intentionally concave Spaces to show the concept of "chisel" and so on. All of them are designed to create a quiet space full of commemorative atmosphere, touching the soul of each experience space under the presentation of light.

平面图

DESIGN PLAN